When a camera becomes an extension of the human body, the resulting “fossil” transforms as a machine that observes and learns to reproduce more images. The video response to Vilém Flusser’s essay Towards a Philosophy of Photography, speculates the relationship between the artist’s observations on body movements and “image-traveling.”

当相机成为人体的延伸物时，最终的“化石”将转变为观察并学习再现更多图像的机器。 视频通过对Vilém Flusser的论文《摄影哲学的思考》的回应，推测了艺术家对身体运动的观察与“图像旅行”之间的关系。

Single-channel video, light clay, found objects, 2018

单通道视频，轻质粘土，捡到的物体

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